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Whenever I, Anna runs the risk of being too contrived, the two veteran leads – at 66, Byrne is no spring chicken, either—make it easy for viewers to hang with it.Southcombe also does a nice job capturing high-altitude views of London we don’t always see.Although the story hinges on memories, its focus isn’t on a partner with Alzheimer’s disease or a life-threatening medical condition.It’s in a different genre altogether from The Best Exotic Marigold Hotel, Quartet and Calendar Girls, which were dominated by veteran actors and appealed to roughly the same audiences.Although Kate was aware of the fate of her husband’s ex-lover, she isn’t ready to deal with Geoff’s reaction to the news.She deduces correctly that he’s been silently carrying at torch for her throughout their seemingly idyllic marriage.Financed in large part by public money, the independently made British drama features a cast dominated by actors who probably have never stayed up to watch Jimmy Fallon or Jimmy Kimmel, let alone been asked to appear on their shows.(Not surprisingly, perhaps, Rampling was profiled earlier this year on the much-older-skewing “CBS News Sunday Morning.”) Written and directed by Andrew Haigh (“Looking”), 45 Years bears comparison to Away from Her (2006) and Amour (2012), but not in ways you might expect.

The Shootist, On Golden Pond, Cocoon, Driving Miss Daisy and Grumpy Old Men come immediately to mind, of course, but they were made at a time when a John Wayne, Jimmy Stewart, Katharine Hepburn, Henry Fonda, Jack Lemmon and Walter Matthau also could pop up unexpectedly on a late-night talk show whenever they felt like it and not merely as an excuse to pimp their new movie.If the title of this claustrophobic thriller from producer J. Abrams—Hollywood’s reigning master of disaster—sounds familiar, it’s because it refers ever so obliquely to the surprise international hit, Cloverfield, which used found footage to document the destruction of New York City by aliens.Made for a paltry million, 10 Cloverfield Lane was similarly profitable – if studio accountants would ever admit that such a thing exists – in its domestic release last March.That is, until a letter arrives alerting him to the shocking revelation that a slowly receding glacier in the Swiss Alps has revealed the long-frozen corpse of a lover who died decades earlier in a fall.In some ways, the revelation hits the couple as if it actually were a doctor’s diagnose of a disease that may or may not prove fatal.

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